Fuji Superia X-TRA 3 Pack ISO 400 36 Exp. 35mm Film, Total 108 Exposures

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Credits: ryszardl70, sovulia, icomewhenieatcaponata, plasticpopsicle, jezzyjung, mingkie, xaviru, gotoarizona& ali55 October is an exciting month for all kinds of baseball and softball fans from around the world. As a game of inches and seconds measured against the grain, we tap into the heart of the sport as captured on film. 1 3 Share Tweet Competing directly with Fuji’s c200, Kodak’s Color Plus 200 is Kodak’s cheapest color option. For a Kodak film, its tones are a bit cooler than what I remember seeing in reality. But the tones stay surprisingly true in indoor situations with less than ideal light. The highlights seem to have a red hue. The skin tones seem true to life, if not a bit more contrasty than some of Kodak’s other films. Color Plus is not a sharp film and, as expected for a budget film, very grainy. It’s latitude is wide, but maybe slightly less so than Kodak Gold 200. Since it’s extremely cheap, Color Plus is also a common film to see among street photographers.

SUPERIA Processless Thermal CTP Plates - Fujifilm

If you’re still reading, I’ll assume you’ve gone through and rated the photos. And if that’s the case, it’s now time for the big reveal. Here are the names of the emulsions assigned to each letter: Content contributor - become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life. Information on price revisions and discontinuation of some photographic film products" (PDF) . Retrieved 2020-02-13. Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. Inverted by hand with slight colour correction for the film’s blue cast and no adjustments to contrast or sharpening.

Their precision beats and the serious demeanor with which they drummed was mesmerizing, and the crowd’s attention was firmly fixed on the line of drummers instead of the fact that we were getting scored on. The floodlights of the stadium served to illuminate them perfectly. I pushed my way to the front of the crowd and snapped only one picture of the scene, trusting my FG’s program mode to pull through. With Fuji c200 skin tones seem to be brighter or have more luminosity than other films. The magentas are quite saturated, and in the highlights and midtones the pallet leans magenta in general. This film is also very punchy or contrasty. As I mentioned, the shadows have a lot of green in them and, to my eye, they don’t look particularly good when underexposed or when you try to recover in post. This film seems to do best when exposed for the shadows and maybe even shot at 100 rather than 200. As far as grain goes, to me it’s surprisingly noisy for a 200 speed film. And as far as sharpness, it feels a bit muddy, not really a particularly crisp film. But the strength of c200 is in its latitude, which is very wide. It is able to be overexposed up to three stops and underexposed one stop before you’ll start to see problems. Competing with Fuji’s 400h is Kodak’s Portra line of films. Kodak Portra comes in 160, 400, and 800 speed versions, though shooting with all three varieties of Portra would just have been not feasible for me in these comparisons. That shouldn’t matter too much as these films were designed to be extremely similar at different speeds. Though if I were to do it again, I might have chosen Portra 400 as that would make things more easy to directly compare with Fuji Pro 400h. But, as it is, there will be more commonalities than differences between the various Portra films.

the Fujifilm 800s - Venus versus Superia X-Tra Battle of the Fujifilm 800s - Venus versus Superia X-Tra

For the trip, I brought my Leicaflex SL2 in combination with not one but two 35mm lenses (the f/2 Summicron as well as the PC Curtagon shift lens). As I had wisely loaded the film in complete darkness , I was able to obtain 40 frames from the single roll. An impressive number to be reduced to a not-so-much impressive count of 37 useful frames by camera operator error. By the way, my point-and-shoot cameras often get one more frame out of a Fuji than of a Kodak film. To have a little more room for exposure errors, I rated the Fuji Superia at EI 200. The Images – Day-Time Shots The Superia is best used outside, where if exposed correctly shows a very fine grain, however, the film does cope very well indoors too although grain will begin to creep up. Sharpness is generally fantastic when used with a high-quality lens. For the scoring sheet under price, I’ve included some default pricing scoring that are informed by these prices per frame in the US. For everyone else, you’ll want to do your own research.Fujifilm's next generation processless plate is ready to advance your commercial offset production to new levels of efficiency. With excellent robustness, Superia ZD delivers high run lengths and consistent quality. It is also UV ink compatible.

Fujifilm Superia X-TRA 400 36 Exposure Film (Pack of 3)

Process control helps determine predictable results and reduces waste, all while improving product and profits. I have tried Kodak UltraMax 400 (and Max400, but I think it’s the same?) and been really disappointed. Pretty washed out and feeble colours compared with my favourite emulsions. But that’s just my experience from maybe half a dozen rolls. It does work pretty well flipped over though and used as DIY redscale!I’ve actually mistakenly shot with this film on a trip to the dragon in 2017. Only film Walmart had left and the CVS in DC had the same. It was all expired as well but I didn’t care. I shot it on my Nikon F5/50MM 1.8E For some reason, I never liked Fujifilm. Hence, in general I don’t care much about their product range, except when Fuji also decided to discontinue polaroid film. Fujifilm offers a new, additional, no-bake, true processless thermal plate – SUPERIA ZDN to complementthe existing Ecomaxx-TN for the newspaper market. As the industry leader in true processlesstechnology, ZDN joins Ecomaxx-TN to deliver the smallest environmental footprint: there is noeffluent to dispose, and no additional consumables to contend with, which is not only goodfor the environment, but also an advantage for printers.